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Projects

A space was created that invites people to adopt unexpected perspectives, to try out alternative forms of community, and to bring the prehistory and unwritten future of the Free Republic of Vienna into dialogue with one another. Places for thinking and working, eating and dancing, that are not static but transform over the course of five weeks. To this end, the artists ran an open workshop in the House of the Republic. Every two weeks, the scenographers invited the audience to explore the building together spatially and look behind the façade.

Artistic Team: Alma Rothacker, Anna Grebennikova, Aylin Mutluer, Carlos Alfonso Ibanez-Reyes, Constanze Bieber, David Degasper, Elia Kreutz, Elias Emil Borgeest, Emma Ait-Kaci, Hannah Lowe, Laila Rosenbauer, Louis Platzer, Marc Pierre, Marcus Möller, Nike Hartmotd, Philipp Banholzer, Philipp Lossau, Qian Qin, Roman Berleth, Ruth Erharter, Shan Kim, Sophie Glaser. Direction: Nina von Mechow

Performance by Emma Ahka in collaboration with Clara Holzer and Aylin Mutluer. With Thomas Ahka, Philipp Banholzer, Constanze Bieber, Anja Grebennikova, Clara Holzer, Elia Kreutz, Hannah Lowe, Aylin Mutluer, Marc Pierre, Tizian Preuß, Laila Rosenbauer, Alma Rothacker, Rosa Thieme and Dimitrii Vakulin. Thanks to William Joop, Thyra Wanvig, Louis Platzer, Franziska Baur, Chertanova Darya, Yana Noga, Nikiforos Papadoudis, Andreas Ströbel, Jamil Ahka. What happens when the police fall asleep? WHEN THE CAT'S AWAY attempts to give the body of the police a form that opens up new discussions and imaginary worlds. The otherwise upright, standing bodies of police officers are transformed here into soft, semi-reclining bodies — like a transition from the familiar verticality of power to a new horizontality. This image suspends surveillance for a moment and questions the social conditions of public office holders. What role could the police play in a real utopia?

After Wolfram Lotz, Fusseln. Monologues: Fashion and Reality. Thilo Sarrazin

By and with: Philipp Banholzer, Emil Borgeest, David Degasper, Shin Hyunah, Kseniia Kovpak, Philipp Lossau, Hanna Masznyik, Aylin Mutluer, Laila Rosenbauer, Hannah Thiele, Sophie Trampisch, Peter Maria Volkhardt, Qin Qian and Nora Wahl. Course Direction: Voxi Bärnklau, Tabea Braun, Wolfram Lotz, Henning Nass, Nina von Mechow

Project for three baroque costumes. I sewed and styled two women's dresses and one men's costume for the dance week in Lower Austria. The suit in the photo was also part of the exhibition RIOT IM RIOT at Mz. Baltazar's Laboratory.

Dive into Heidi's moving-image cosmos, enjoy lounging together in the hay, and try Heidi's favorite dishes. Take part in the dance rounds and the big yodeling show. Visit the place where Heidi healed and let yourself be healed too. And don't forget to stop by the notorious Heidi souvenir shop — a very personal highlight awaits every mountain lover there.

Editorial photo shoot for the Giant Hogweed costume

Artistic Direction: Natalia Gurova Dramaturgy, Project Management: Olga Shapovalova Accounting: Denise Parizek Stage Design: Anna Grebennikova Costume Design: Aylin Mutluer Social Media: Margo Merkulova Performers: Charlotta Öberg, Anabel Scheffold, Richi August-Chi, Jannis Neumann, Meltem Calisir, Felix Schwentner, Laura Sauer, Sabrina Rosina Bühn Technical Support and Sound: Gustavo Petek

The engagement with Amitav Ghosh's non-fiction book The Nutmeg's Curse: Parables for a Planet in Crisis was the starting point for the development of a contemporary simultaneous stage. About the content of the book: On an Indonesian island, an oil painting falls to the ground, and shortly afterward Dutch soldiers commit a massacre of the island's inhabitants. How are these two stories connected, and what happened afterward? With this question, Amitav Ghosh begins his research following the traces of nutmeg. Today it is an everyday spice, but in the 17th century it was considered a luxury good — a handful of it was enough to build a palace — because the rare fruit grew only on that island, which Dutch troops took possession of primarily in order to secure the trade monopoly of the Dutch East India Company. As Amitav Ghosh traces the journey of nutmeg, he vividly illustrates the mechanisms of colonialism, the exploitation of indigenous people, and the nature of collective suffering.

Professor: Nina von Mechow

Costume and scenography — Aylin Mutluer Photo — Henning Nass Models — Yana Noga, Yuriy Yerlin

The photo series is called "Routine after School." It shows the everyday reality of young people in post-Soviet countries, where the consumption of prohibited substances, especially marijuana, has become part of youth culture. Almost every second upper secondary school student has at least once tried to smoke it through a homemade water pipe, which illustrates the scale of this problem.

Collaboration: Yana Noga Aylin Mutluer